The first episode of Deadly Disasters is here. “The Crash of SwissAir Flight 1-11” This is the most exciting innovation in Podcasting content to be introduced to the market. The new gold standard for audio experiences. https://podcasts.apple.com/...
Telling Stories from the Clubhouse 101 This is the official podcast for the Entertainment Globalization Association, the largest trade association for the entertainment globalization sector. It's never been more important than now for content creators to take an active participation in how their stories are retold using the world stage created by OTT distribution. EGA wants to elevate the art form of “retelling” stories for global markets and help creators better understand and appreciate how these localization artists help them share their stories worldwide. A conversation with Brian Eimer on localizing for IMAX and other large-format immersive experiences. An expert in this unique niche of localization, Brian is an award-winning artist who knows how to use audio to "wow" audiences around the world. Spotify: https://open.spotify.com/show/7fAL9of29SLpbZzMgPdR60 Amazon: https://music.amazon.com/podcasts/15f1ae1e-f8c0-4a9d-b746-e6c151f7f1dd Apple: https://podcasts.apple.com/us/podcast/telling-stories-from-the-clubhouse-101/id1607535836...
A Sound Editor and Mixer for pictures, Brian Eimer won his fourth Motion Picture Sound Editors’ guild Golden Reel Award in 2016 for “Best Sound Editing: Special Venue” for the IMAX film, “Journey to Space,” narrated by Star Trek; The Next Generation’s Patrick Stewart. A graduate of OIART’s recording production program in 1989, his first job after OIART was assistant recording engineer at one of Toronto’s first post production houses, The Master’s Workshop. After that studio went out of business, Brian saw the opportunity to open his own facility, which became ImagesInSound, a 3,300-square-foot post audio facility in downtown Toronto. There, he oversees a staff of three engineers who sound edit and mix audio for shows like Survivor Man, True Stories, Mayday, Psychic Investigators, Property Virgins, and World’s Greenest Homes. One of Brian’s specialties is sound editing and mixing for large format IMAX films such as Journey to Space and Titans of the Ice Age. “The screen is just so big,” he says. “The sound needs to keep up with that and placement is a strong issue. In 3D, the viewers are in the film. The sound needs be to spot on or the illusion will be broken.” Eimer’s advice to anyone looking to get into audio post production? “You need to soak up as much of the experience as you can, because there’s a lot of knowledge out there in the industry. That’s where being around the guys at OIART really pays off. They can teach you skills you can’t get anywhere else.” ...
Buena Park, CA (August 24, 2017)—ImagesInSound, an award-winning audio post-production facility in Toronto, Canada, has installed a 32-fader Yamaha Nuage advanced production DAW system with master section for its largest dubbing stage. Brian Eimer, studio owner, first learned about Nuage through Steinberg. “I was planning an upgrade to Dolby Atmos in my main dubbing stage,” he states. “I had attended an NAB Show in Las Vegas and arranged a Nuage demo there. The system blew me away, and I knew then it would be the right fit.” Nuage system is working out great, says Eimer. “I’ve done two IMAX 12.0 mixes with it, and it was a dream. On the two projects, Extreme Weather and Mysteries of China, I was really able to create an immersive environment with Nuage and Nuendo 7. I just received the Dolby Atmos panner update in Nuendo, and I’m looking forward to working with it.” Nuage replaces a Euphonix System 5 MC, the first sold in Canada. “Nuage has a big advantage over the System 5, the main reason being that it is fully integrated with Nuendo. Euphonix was bought by Avid, and all support was discontinued. But beyond that, Nuage is built for post, with a lot of functionality that is required in post and really easy to navigate.” Eimer has been using Nuendo since N2 and is now using the latest version, Nuendo 8. “Nuendo is the best platform for audio post, and Nuage being part of that platform, made the decision to purchase the system an easy one. The people at Steinberg have always gotten it right, including when they rebuilt the software in Nuendo 5 to make post a main focus.” Eimer adds, “I don’t want to go through menus, and pull downs and continually click to get to what I want to do, like other software. One button on the surface of Nuage and I’m there, or I can just program it; it’s that easy.” Yamaha yamahaproaudio.com...