About Us
We pride ourselves on offering the perfect blend of creativity, experience, and flexibility that makes us a top creative force in the industry. Our company was founded by over 25 year industry veteran, Brian Eimer in 2004. Brian has devoted his entire career to providing creative excellence in audio post production for TV, feature film, large format (IMAX) and special venue.

111 Peter Street, Suite 510 Toronto, Ontario M5V 2H1



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A checklist for a filmmakers to prepare for Dolby Atmos post sound

[caption id="attachment_61147" align="aligncenter" width="300"] Dolby Atmos Images In Sound[/caption] Choosing Dolby Atmos for your next project is an easy decision. We at ImagesInSound have some tips on how to prepare for a Dolby Atmos Production. Connect with us to find out how we can help make your next project come to life. Make sure you have the necessary hardware and software to support Dolby Atmos. This includes a Dolby Atmos-enabled surround sound system and a compatible digital audio workstation (DAW) such as Pro Tools or Nuendo. Gather all of the necessary audio assets for your film, including dialogue, sound effects, and music. It's important to have a clear and organized file structure to make the post-production process as efficient as possible. Familiarize yourself with the Dolby Atmos sound format and how it differs from traditional surround sound. In particular, pay attention to the use of "height" channels and how they can be used to create a more immersive audio experience. Work with your sound team to create a detailed sound design plan for your film. This should include a breakdown of all the audio elements that need to be created or sourced, as well as any specific requirements for the Dolby Atmos mix. Communicate with your post-production team about the timeline and budget for the Dolby Atmos mix. It's important to make sure you have enough time and resources allocated for this crucial step in the film's post-production process. Ready to chat about your project? CONNECT WITH US at IMAGESINSOUND ...

Vulture – Why The Dub Matters

We are excited to offer international dubbing services at ImagesInSound. As this part of the industry continues to grow and develop at a rapid pace, the importance for strong audio localizations has become a very critical part of the process. We're working with productions to find the best solutions in achieving the highest quality of dubbing for films, TV, and large format (IMAX). With different partners requiring different QC checks, our experienced team is happy to use our knowledge to walk you through all your requirements. Connect with us. (Director) Myers spoke with Vulture about being drawn in by Trachtenberg’s original all-Comanche vision for the film, the help she received from several Comanche language experts, and the frenzied four months they worked to turn around the dub in time for Prey’s August release date. We had to systematically include everybody in the dubbing process. Even the French characters, like Raphael — Bennett Taylor wanted to do his part in Comanche. He’s an amazing actor, and he did phenomenal speaking Comanche. In the movie, he is supposed to be speaking Comanche because he’s a translator. Everybody came in separately so we were stretched out, booking all the different studio times, but they all did a phenomenal job. ...

GSCA celebrates excellence in giant screen filmmaking

[edgtf_highlight background_color="" color=""][/edgtf_highlight]ImagesInSound Picks up 2 Awards at International Conference.   The Giant Screen Cinema Association (GSCA) is pleased to announce the winners of its Film Awards, recognizing excellence in giant screen filmmaking. The awards were presented the evening of Wednesday, September 28, at the GSCA 2022 International Conference in Chattanooga, Tennessee, during a ceremony held at the Tennessee Aquarium IMAX Theater. As the first in-person GSCAInternational Conference since September 2019, awards were presented for films released in 2022 as well as for each year the conference was not held during the pandemic. Eligible films are submitted by GSCA member distributors and voted on by GSCA member organizations. IMAX Corporation, sponsor of the awards gala, presented the IMAX Hall of Fame Award, which goes to a giant screen film that is at least 10 years old and is selected by vote of the IMAX theater network. Best Sound Design 2022 Wings Over Water Sound design by Brian Eimer, produced by Dorsey Pictures, distributed by SK Films [gallery columns="2" size="medium" ids="50542,54592,54593,54591,54590"] Best Sound Design 2020 Apollo 11: Quarantine Sound design by Eric Milano and Brian Eimer, directed by Todd Douglas Miller, produced by Statement Pictures, distributed by Neon https://www.youtube.com/watch?v=4zrxUYEdy44  ...