About Us
We pride ourselves on offering the perfect blend of creativity, experience, and flexibility that makes us a top creative force in the industry. Our company was founded by over 25 year industry veteran, Brian Eimer in 2004. Brian has devoted his entire career to providing creative excellence in audio post production for TV, feature film, large format (IMAX) and special venue.

111 Peter Street, Suite 510 Toronto, Ontario M5V 2H1

416.571.7476

brian@imagesinsound.com

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#SoundEditing Tag

IMAGESINSOUND FINALIST FOR BEST SOUND DESIGN DOCUMENTARY JANE GOODALL – REASONS FOR HOPE

CONGRATULATIONS BRIAN EIMER, IMAGESINSOUND FINALIST FOR: BEST SOUND DESIGN IN A FEATURE LENGTH DOCUMENTARY JANE GOODALL - REASONS FOR HOPE [caption id="attachment_88337" align="alignleft" width="1410"] Canadian Screen Awards ImagesInSound[/caption] Catch Brian live at the GSCA Film Expo Filmmakers Symposium: “Audio for Giant Screen Films” Wednesday March 13, 2024 -10am Universal Cinema AMC Universal City Walk  ...

March 12, 2024
Alyssa
in Audio, Post Production, Technology, Uncategorized
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A checklist for a filmmakers to prepare for Dolby Atmos post sound

[caption id="attachment_61147" align="aligncenter" width="300"] Dolby Atmos Images In Sound[/caption] Choosing Dolby Atmos for your next project is an easy decision. We at ImagesInSound have some tips on how to prepare for a Dolby Atmos Production. Connect with us to find out how we can help make your next project come to life. Make sure you have the necessary hardware and software to support Dolby Atmos. This includes a Dolby Atmos-enabled surround sound system and a compatible digital audio workstation (DAW) such as Pro Tools or Nuendo. Gather all of the necessary audio assets for your film, including dialogue, sound effects, and music. It's important to have a clear and organized file structure to make the post-production process as efficient as possible. Familiarize yourself with the Dolby Atmos sound format and how it differs from traditional surround sound. In particular, pay attention to the use of "height" channels and how they can be used to create a more immersive audio experience. Work with your sound team to create a detailed sound design plan for your film. This should include a breakdown of all the audio elements that need to be created or sourced, as well as any specific requirements for the Dolby Atmos mix. Communicate with your post-production team about the timeline and budget for the Dolby Atmos mix. It's important to make sure you have enough time and resources allocated for this crucial step in the film's post-production process. Ready to chat about your project? CONNECT WITH US at IMAGESINSOUND ...

January 31, 2023
Alyssa
in Audio, Post Production, Technology, Uncategorized
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Vulture – Why The Dub Matters

We are excited to offer international dubbing services at ImagesInSound. As this part of the industry continues to grow and develop at a rapid pace, the importance for strong audio localizations has become a very critical part of the process. We're working with productions to find the best solutions in achieving the highest quality of dubbing for films, TV, and large format (IMAX). With different partners requiring different QC checks, our experienced team is happy to use our knowledge to walk you through all your requirements. Connect with us. (Director) Myers spoke with Vulture about being drawn in by Trachtenberg’s original all-Comanche vision for the film, the help she received from several Comanche language experts, and the frenzied four months they worked to turn around the dub in time for Prey’s August release date. We had to systematically include everybody in the dubbing process. Even the French characters, like Raphael — Bennett Taylor wanted to do his part in Comanche. He’s an amazing actor, and he did phenomenal speaking Comanche. In the movie, he is supposed to be speaking Comanche because he’s a translator. Everybody came in separately so we were stretched out, booking all the different studio times, but they all did a phenomenal job. ...

December 4, 2022
Alyssa
in Audio, podcats, Post Production, Technology
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GSCA celebrates excellence in giant screen filmmaking

[edgtf_highlight background_color="" color=""][/edgtf_highlight]ImagesInSound Picks up 2 Awards at International Conference.   The Giant Screen Cinema Association (GSCA) is pleased to announce the winners of its Film Awards, recognizing excellence in giant screen filmmaking. The awards were presented the evening of Wednesday, September 28, at the GSCA 2022 International Conference in Chattanooga, Tennessee, during a ceremony held at the Tennessee Aquarium IMAX Theater. As the first in-person GSCAInternational Conference since September 2019, awards were presented for films released in 2022 as well as for each year the conference was not held during the pandemic. Eligible films are submitted by GSCA member distributors and voted on by GSCA member organizations. IMAX Corporation, sponsor of the awards gala, presented the IMAX Hall of Fame Award, which goes to a giant screen film that is at least 10 years old and is selected by vote of the IMAX theater network. Best Sound Design 2022 Wings Over Water Sound design by Brian Eimer, produced by Dorsey Pictures, distributed by SK Films [gallery columns="2" size="medium" ids="50542,54592,54593,54591,54590"] Best Sound Design 2020 Apollo 11: Quarantine Sound design by Eric Milano and Brian Eimer, directed by Todd Douglas Miller, produced by Statement Pictures, distributed by Neon https://www.youtube.com/watch?v=4zrxUYEdy44  ...

October 18, 2022
Alyssa
in Audio, IMAX, Post Production, Technology, Uncategorized
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Sound Design for Special Venue

Images in Sound was founded by Brian Eimer in 2004. InPark Editor Martin Palicki asked Brian about the company’s audio post-production services and his work in the industry. First off, tell us a little about your expertise and what Images in Sound does.  I have over 20 years experience in sound design, designing for all genres of motion pictures, including themed attractions, ridefilms, IMAX films, features and television. I’ve done work for Chimelong, Wanda, Prana, SimexIwerks, and IMAX Ridefilm. I’ve also designed and installed sound environments at Oltramare in Italy, and Camoes in Portugal. "The on site mixing is one of the most important services we offer. Themed attractions almost always have unique speaker configurations. In order for the soundscape or sound design to have the most impact on the visitor, it’s necessary to be on site to make final adjustments.” Images In Sound is a sound design company that handles all the sound design needs of any attraction. We do SFX, music (if required), premixing, and on site mixing. The on site mixing is one of the most important services we offer. Themed attractions almost always have unique speaker configurations. In order for the soundscape or sound design to have the most impact on the visitor, it’s necessary to be on site to make final adjustments. One of your niches is special venue. But you also have done film and TV work. What are the unique elements of working in special venue?  Yes, I’ve done a lot of TV and a few feature films. What makes special venue really unique is that it doesn’t need to conform to standard speaker layouts. Because you’re designing for the speaker configuration you have a lot more creative freedom. I have just upgraded my facility to Dolby Atmos and IMAX 12, so that extended creative freedom is now finding its way into the mainstream, but with 27.1, or 26.2 speaker configurations you can have a lot of fun. You’ve done some work in Asia recently. Tell us about some of your recent international projects  In terms of Asia, I’ve done two projects for Chimlong: Alien Attack in Guangzhou, and Kaka’s Big Adventure...

December 10, 0202
Admin
in Audio
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